Themes – desperation, decay, dead end, death row, darkness –
love Ashlynn’s the River Styx
Style – not realism
Bodies need to match the metaphor
Speak like it’s poetry
Work in an emotional level
Opening – louder and longer
Quixote –absorb the environment- your lines were delivered
the same with same pauses. Be a little
faster
Gutman- bigger, lower register, DICTION
Prudence – hat?
Gypsy – show a poster of Esmeralda – to fix and gray hair.
Villagers were very good, but need stylization
The audience can see people backstage on right stage.
DICTION FOR EVERYONE
Each block must build – have a climax
Look at groupings
Streetcleaners – more mysterious
Stylized moaning
Kadyn – sing beginning with Amy’s Camino Reel through
Cassanova’s dreams.
Cassonova – more resonance, deeper, be larger, be a lothario
You paused too long with one of your lines with Marguerite
(honor)
Stage lights were off in gypsy scene – shining on wall and
did not cover Cassanova’s face left stage.
Gypsy – lower pitch, slow down
Villagers must be stylized before Kilroy’s entrance –
villagers loosely with palms open
Kilroy – voice and body must match – lower register
Kilroy – rush to Cassanova after guard exits.
Guards – kylie and evan – you both have happy feet and are
swaying.
Everyone – note the first mention of death
Everyone – don’t react normally
Streetcleaners must be stylized
Stylize the fighting dance
Is there an outside force?
Be more aware of the fear of death – fear of terra incognita – the audience
A sense of fear must permeate the stage.
Cassanova and Kilroy – important that we need to know about
what happens to the dead people
Gutman –build on bocks.
Gutman – hold up patsy uniform
Chase must be a stylized dance. Villagers are a barrier between Kilroy and
Esmeralda. She tries to get to him, so
she climbs onto the well.
Rehearse with rebellious music
Rehearse with frightening music
Marguerite’s scene – bring downstage
Cassanova – more birdlike – flowing hands – be a player
Blocks – see red light more
Departure on Fugitivo – the other side is heaven – react accordingly. Vocals are muddied
Block 10 interact with flashing lights – helmets?
Block 10 – no one was there.
Personalize the fiesta
Villagers and Kilroy – stylize the disrobing
How big is your heart – dicton
Shooting downstage –survivor – 2 clear shots. Guards be more threatening.
Marguerite – loved the barring of your teeth – looked crazy.
Ritz light was not on – neither was the yellow light.
Gypsy – virginity line was said upstage and we lost it. Slow
down on the Walgreen sign – it was funny.
Block 12 – no one was there.
Kadyn – need for you to sing.
Don’t forget new lines
Sydney and evan – What else do I have that you want? Nothing
Sam – desperation – with cash here without cash there.
Payton – sing right after leaving on a jet plane and through
not without me
Block 15 during madrecita and instructor
CUTS –
On page 19 cut from Gutman’s line about desperation – clock will
still light up – go to Block 9
On block 12 – cut after vamoose- go to block 13
Block 13
Kilroy – cut gimme a cot.
Kilroy – Cassanova- cut after I understand, Brother- go to
Block 14
Marguerite & Kilroy – cut I wasn’t expecting that
music Keep the streetcleaners are coming
for me. The gypsy told me.
Marguerite – cut thanks for taking mine.
Marguerite & Kilroy – cut lines about street being
royal.
Kilroy’s entrance –The suitcase is going to be on top of the
blue suitcase under the cage – I think. At the end, Kylie grab Kilroy’s
suitcase and hand it to him.
I'll work on diction and being more extravagant. Interested to see how the play changes after today!
ReplyDeleteSo excited for the changes we've made!! Warming up today I actually put myself in the play and thought about how my character would feel about the environment and characters around me. I think that really helped me take my performance a step up
ReplyDeleteI'm so proud of the performance we did today, I can't wait to see how much we can grow from here. today during the clinic I realized that we will keep getting better and better with little thing right up until we settle. we can go all the way. let's work for the top!
ReplyDeleteGet the little things right and find the sweet spot between rushing and awkward pauses
ReplyDeleteRiley, each time you say what do you want, make it sound as if you are getting more angry and annoyed. They all sound the same
ReplyDeleteAlso, at the very end when jonah is writing on the suitcase for the last time, it takes a while and is kinda awkward
I can't wait to see how the show will evolve from here! Great job everyone!
I'll work on not having happy feet and styalizing my characters.
ReplyDeletegood job everyone!! I think yesterday was Mac & Sydney's best performance and I think we can learn from them on how much emotion to put into each line. Also can some of the fugitivo people take the suitcases after y'all leave because me and Kadyn have to carry have like 4 everytime.
ReplyDeleteI think we need to work on the clock because a few time the stage would be lit so the silhouettes were lost
ReplyDeleteIm very excited to see how the play will change after today! Lets work hard today guys!
ReplyDeleteyall did so good yesterday!! i think we need to work on the dances!!
ReplyDeleteGreat work yesterday!! need to work on being more "ballet like". someone needs to be the bird for block 16
ReplyDeleteGood job Sunday but we need to work on dances
ReplyDeleteThe new changes already make our play and set seem more mysterious and creepy! In a couple more practices and will we be creating a perfectly strange place
ReplyDeleteI'm really looking forward to working on the style!!
ReplyDelete"An actor must never be afraid to make a fool of himself."
ReplyDelete-Harvey Cocks
Really excited to continue working on makeup to match each characters style!
ReplyDeleteThis play can go far if we keep up the hard work. The new style of it has already fixed a lot. I need to work on making my lines more smooth and poetic
ReplyDeletedid everyone understand what I meant by the river Styx?-ashlynn
ReplyDeleteOne question I think everyone needs to answer individually is what fills up the well at the end? Does the well represent something different for each of us or does it provide one symbol that we all cling to? If we figure out how the well gets filled and why I think this will strengthen our commitment to the show and give us a better understanding of the Camino.
ReplyDeleteI think the well represents personal freedom. Everyone needs water and without the well we all have to turn to Gutman to survive, meaning we must do as he says, while the well is dry we are his slaves... his playthings. The well being refilled is our escape from his control. We no longer need to turn to him for essential needs. Not only does the well being full once more grant us water to drink it also provides us with a way to grow our own crops. Citizens could once again bath themselves, or clean the streets. No longer must we live in this filthy, starvation filled city. I think we need to show Gutman`s control over the water a little more, yes he has soldiers but his control over the water is what controls the people. I feel like we need to show Gutman manipulating people with the water, or dangling, it in peoples faces.
Delete-Elijah
NO ONE IS NORMAL. I feel like an idiot when I wave my arms and no one else does. I hope it looks ok because I love how Lou said that normal physical things are not to be looked at as normal in this show.
ReplyDelete