On to Regionals
“Challenges are what make life interesting. Overcoming them is what makes them
meaningful.”
Everyone
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IT IS A LOT OF CHANGES, BUT YOU CAN DO THIS. WE WOULD NOT CHANGE THINGS IF IT WERE NOT IN THE BEST INTEREST OF THE SHOW. LEARN THE CUTS AND BE READY FOR A GREAT PERFORMANCE TOMORROW MORNING. YOUR DIRECTORS WORKED ALL DAY SUNDAY AND INTO THE EVENING SO, TOGETHER, WE CAN BE ONE OF THE TWO SHOWS CHOSEN NEXT WEEK.
Step on lines.
Hear guitar and whispering a couple of beats before lights come
on. Whispering must FADE out with Quixote’s first
line.
Do not run in the back. If you have to cross, do it in character.
DO NOT HIT CURTAINS – Automatic drop in rank
During Fugitivo scene, move ladder more Center Right stage.
Bird people at beginning – shift with Quixote’s line.
Get back in touch with your weirdness.
FREEZES. If you don’t know
where they are, then ask someone.
If an actor has left something on stage, snatch it up – villagers would
do this.
LAUGH DURING PATSY SCENE! |
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Quixote
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No lines until Dreamer has finished playing.
Big yawn and stretch before line about sleeping.
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Music
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Late on first dance (old beginning)
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Lights
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Darker red on old opening.
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Head guard
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Pour water on Survivor and tease her with it. Laugh as she licks the
ground.
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Amy, Kylie
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Walk differently as villagers.
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Gutman
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Martial law
Brother to them slower
Get back in touch with your weirdness – edgy – laugh like you used to
during old red dance after opening.
Try not to talk into the curtains.
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Kadyn
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Didn’t hear you sing.
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Kilroy
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Don’t sidestep –moving toward L stage.
You need to have as much energy throughout the show as you do in your
opening entrance. As though you are
ready to run or fight all the time, except after breaking your heart with
Esmeralda.
Need to hear you breathing as you go to look at Survivor.
# 7 is vacant – look at hat – let us see you “get” that it belonged
to a dead guy and drop it. Vocally make a noise Ugh, etc.
Watch end of sentences – dying
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Flautist (Brooke)
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Play just enough for us to know that the street cleaners are there.
It is beautiful, but a little shorter.
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Kilroy an Gutman
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LEAVE PONGO SELO IN
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Kilroy & Casanova
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Do not cut lines in Morse Code scene.
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Casanova and Marguerite
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Don’t exit – stay on stage.
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Lady M
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Come in earlier – waiting for ….
Step on Marguerite’s last line - I don’t understand….
Diction throughout – make sure we can understand you on ladder.
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Casanova
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Deeper voice
Standing on Abdullah – My name is Jacque Casanova – brandish cane or
cape.
One cord – use the red one.
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Mummer
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Take the crown away
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Keep working hard! Yall are doing great! stay focused
ReplyDeleteare we still acting hot?? I haven't noticed
ReplyDeleteAsh I asked some of the students of it looked like we where hot and they said that they noticed that. So keep doing what your doing
ReplyDelete